Thomas, Peter D.

Reverberations of The Prince: From 'heroic fury' to 'living philology'

is part of Thesis Eleven , 147 , 1 , August, 2018
This article explores the ways in which Gramsci's engagement with Machiavelli and The Prince in particular result in three significant developments in the Prison Notebooks. First, I analyse how the 'heroic fury' of Gramsci's lifelong interest in Machiavelli's thought develops, during the composition of his carceral writings, into a novel approach to the reading of The Prince, giving rise to the famous notion of the 'modern Prince'. Second, I argue that the modern Prince should not be regarded merely as a distinctive (individual or collective) figure, but rather should be understood as a dramatic development that unfolds throughout 'the discourse itself' of the Prison Notebooks, particularly in the crucial phase of reorganisation in the 'special notebooks' composed from 1932 onwards. Third and finally, I suggest that the combination of the two preceding themes is decisive for understanding the modern Prince as a distinctive form of political organisation. Rather than equated with a generic conception of the '(communist) political party', this notion was developed as a part of Gramsci's larger argument regarding the necessity for anti-Fascist political forces in Italy in the early 1930s to grow into an antagonistic collective body guided by principles of 'living philology'.
Language eng
Names [author] Thomas, Peter D.
Subjects
Politica
Organizzazione
Machiavelli, Niccolò
politics
Organization
Machiavelli, Niccolò